Ice age 1 2 3 4 54/7/2023 ![]() ![]() Scene and compared the resulting data with the average of the whole film, as an InĪddition, I identified the number of narrative strategies per minute in each Order to visualize the flow and diversity of the narrative strategies, I graphicallyĭepicted their chronological position and degree of variation (fig. The surprise/suspense (which occurs when the threat begins unexpectedly). I included also all modified narrative strategies, suchĪs the auctorial suspense (which we have when only the viewer sees the threat) or At first, I identifiedĪll recognizable narrative strategies at discourse level and classified them inĪ nomenclature system. Theory of stories (see Brewer & Lichtenstein 1982: 473-486), whichĭistinguishes between the narrative content at story level and theĬorresponding abstract narrative strategies at discourse level. My analysis was based on William Brewers and Edward Lichtensteins structural-affect Also, in contrast to many thrillers, action sequences presenting a spectacle in Ice Age 3 seem to be more important than instrumental violence as the cause and propellant of the story (see Gerbode 2004: 14-15). However, due to the genre’s typical indestructible protagonists and widespread comic reliefs, the intensity of suspense may generally be lower here. As in classic thrillers, the story of Ice Age 3 is causally driven and focused on a final goal (see Pfister 1988: 104), unlike episodic slapstick films (see Gerbode 2004: 27). Most episodes in Ice Age 3 are dominated by different sorts of threats, and potential victims are often vulnerable protagonists, such as the highly pregnant Ellie or the clumsy Sid. We can briefly describe suspense as the confrontation of a sympathetic protagonist with a threat and low chances of defense (see Junkerjürgen 2002: 328). Early, Silent and Pre-cinematic AnimationĪ few years ago I began an analysis of suspense and other narrative strategies in Blue Sky Studios’ Ice Age 3: Dawn of the Dinosaurs (2009, by Carlos Saldanha), as a follow-up study to my research on suspense in Alfred Hitchcock’s films (see Weibel 2008).CFP dedicated to accepted SAS 2020 presenters.The Persistence of Walt Disney’s Snow White and the Seven Dwarfs.The Interdisciplinary Opportunity of Animation.Technological developments in animation II (the post digital). ![]()
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